Ebbetts downloads




















To each and every one of you who has supported me and befriended me throughout the years, I wish to extend my deepest gratitude.

Your loyalty has moved me beyond words. This entire project began as a fanciful hobby many years ago and has mushroomed into something far beyond anything I could have imagined.

From every corner of the entire world, I have been blessed to meet some of the best Beatle people out there. I will never forget you. Please be sure to secure your copies of the remasters. I guarantee they will replace your Dr. Ebbetts CDs in your rotations and playlists - as they should. Display them proudly and let people know who the greatest band of all time is.

Jump to: navigation , search. Dear friends, I sincerely hope all is well with you and yours. Indeed, this is an unexpected mass-mailer. Please forgive the unsolicited rambles that follow. I appreciate your patience and understanding. They are good. Very good. And with what promises to be outstanding packaging all around, it will be a collector's nirvana. I have those as well. I play the remasters over the Dr Ebbetts, as I am fond of the remasters. Ebbetts himself commented that he thinks the remasters sound very good as well, and helped him to make the decision not to continue with his needle-drops.

Had we seen Steve Hoffman do the remasters I think they would have sounded better. Steve Hoffman is a remaster engineer of the highest caliber. He is a Beatles fan as well. If you get a chance listen to anything he has done and you will be impressed. Quote from: peterbell1 on October 24, , PM.

Quote from: Gary on October 24, , PM. I suppose these sorts of items come up for sale so rarely that it is difficult for collectors to put a price on them. How much were the sets when they were first released? I presume they were fairly expensive even in I hadn't heard of the Millennium Remasters collection. I have just had a quick look on the internet and found that there is a UK set and a Japanese red set. Is there any major difference between the two?

Dr Ebbetts [? PC are a fan collective who gather from the best sources to make their compilations. Always shared for free on the net.

The Beatles - Help! A Vol 6 was later added to this set, titled Whitecasts. It has this torrent number Demonoid 2CD.

This makes the entire set 12CDs. CD2 Tks June Tks Aug-Oct Ex- to Ex various sources mono. Mostly rough recordings on home equipment. Despite that quite listenable. Bits were cut out of the take for use in the Abbey Road Video Show. They were reinserted in the wrong spot. Instead, we edited the take announcement, together with the slightly longer beginning and end on to the released version. We figure those who care enough to have the two different versions already have them. Tks 15,20,23 are MP3 sourced.

CD1 LP mix with a mix edited in for side 2. CD2 vintage mixes of the mono and stereo shows. These are all edited recordings of the original shows. Released January CD1 live Dec 25, CD2 Tks live Dec 28, Tks Dec 31, This comes from a new "unprocessed source tape" from DarthDisc. The dates remain "guesses". CD2 live in England and France.

February to June Everything has been cleaned up. Unfortunately the quality still varies from dire to delightful CD2 live in Melbourne and Sydney. Released Sept CD2 contains the complete stereo tape of the Hollywood Bowl show from Aug 23, CD1 live in Philadelphia and Indianapolis. AUD mono. CD1 live in Paris. Only the Candlestick Park show is decent quality.

Here are songs the Beatles covered as sung by the original artists. CD1 From Woolton to the Reeperbahn. This volume covers the songs covered by the individual Beatles. CD1 John. CD2 Paul in the Studio. CD3 Paul live and bootlegged. CD4 Ringo.

CD5 Ringo and George. A rough transfer at a low bitrate; the worst of both worlds as far as audio is concerned. Better existed at the time, but this new collector didn't know that.

Of course, this was the Beatles; this wasn't going to stop me. The sound of John Lennon incoherently screaming the tune of "House Of The Rising Sun" over a sea of crackling an hiss, Paul McCartney roaring something about Pakistanis in a manner distantly resembling "Get Back"; these were new, foreign, and somewhat scary noises to me. This took me about two hours to notice. It does run at the right speed, though.

Not exact as it misses bits and pieces but this is as good as it gets. August 19, , afternoon and evening show. Legend has it that The Beatles all thought one of them had been shot and stopped playing, but total pro's that they were and no doubt this was partially learned by their time in Hamburg enduring audience fights , The Beatles carried on as if nothing had happened the audience certainly reacts, however.

Listenable recording. The fully annotated booklet is well worth getting a copy. Uses mainly official sources. The final parts. Some have suggested this sounds similar to the Two Of Us Productions version. What a nice surprise it was to find this album contains all the hallmarks of the mono mix: from the album's ambiance, to the reverb, to the different speed on "She's Leaving Home" - it's all there.

It even contains the punch that the mono album had over the stereo album. It's something that I was afraid was going to be lost. Thankfully it's all there. Admittingly, at first, it's a bit off-setting hearing this mono mix come to life in stereo - but the more you play it, the more it becomes familiar territory.

Series started in MirrorSpock is a fan who remixes Beatles albums. Includes bonus track Rain. Headphones do not do these discs justice. As with the original mono mixes he worked from, these remixes have more snap and punch; more so than the true stereo counterparts from EMI. The remixes bring out subtleties buried in the mono mixes or enhance the bass, drums and rhythm guitars. There is actually more clarity in some of these remixes than I ever expected to hear. It's like a breath of fresh air and honestly, I'm amazed at what can be done by a non-professional outside of a studio environment.

I know Mirror Spock has been working on perfecting these for quite some time now. I think the wait was worth it. Are they perfect? Most are. Some tracks do exhibit artifacts, but I believe it's mostly unavoidable. The Beatles original recordings were never perfect anyhow.

OOPS is out-of-phase stereo[? Some claim these sound better than MFSL versions. Assembled November The Beatles - Beatlemania [Capitol] originally released in Canada. Mono Canadian mix. These are fan mixes. Looks like more of these fan remixes are on the way. The others are a but flat. Copied from original MFSL vinyl copies, most of them sealed and played for the first time. Here is some info:. Moreover, this collection addresses some of the sound-level and artifact problems that persist on virtually all the official CDs, tapes and records.

First, the original DVAC project A-Series relied on high-quality pressings some of which were sealed prior to recording that could be captured directly with little or no noise. Second, all aspects of the recording and copying involved quality audio components; the original analogue material was never compromised by software filters or home computer equipment. With the exception of Please Please Me, all titles were recorded using the shortest and cleanest signal path possible: phono stage to CD recorder.

The result is a "permanent" near-mint collection of rare audiophile recordings. In fact, the DVAC discs boast reference quality sound for the three most admired Beatles albums: The sources for Abbey Road and Revolver were virgin prior sealed pressings, while the source for Sgt.

Only rarely throughout this collection can you hear a soft click through loudspeakers. With headphones, inherent vinyl noise and hiss from the original master tapes are more prominent, but seldom offensive.

The new B-Series project exploits the digital format and success of the first collection. This supplemental stage improved the intertrack quality of the play discs, and it eliminated the few audible clicks that were captured in the original project. It does not appear that any bit errors were introduced by the two additional copy stages one read, one write. The digital re-issue of Yellow Submarine sounds even better, but was partially used here to produce a superior 'original' album.

For the other 10 titles, the best high-fidelity stereo sound is still limited to select vinyl pressings; hence this collection. The trader also said his copies were silver discs pressed in Japan.

There is a possibility that my copies are not the famous DVAC set. The source is supposedly the master tapes. EMI's mastering guru, H. Moss used cutting equipment up until the end of or so which was powered by vacuum tubes or valves as they call them in the UK.

Afterwards they went to solid state equipment. The -1 refers to final number in the matrix dead wax info. A -1 would indicate the first press. Since Help was cut in it would have to be a tube cut version and not a later solid state cut.

Many people prefer the warmth provided by tubes to the slightly more sterile sound of solid state versions. Ripped from vinyl to CD by pbthal, Jan Ripped from vinyl to CD by pbthal, February Ripped from vinyl to CD by pbthal, Ripped from vinyl to CD by pbthal , March 27 Ripped from vinyl to CD by pbthal , Mar 26 A direct rip of the Apple Ampex tape. Details below. I re-digitized every track! I bought Adobe Audition and a brand new Technics deck a while back and started the long process Some tracks are still from lesser sources but owing to their rarity, this is understandable.

Taken from unplayed brand new old stock BBC reels. Beatles - "Sessionography" Vol. Each volume is 2CDs. GD to VG mono. It is suspected that Geoff Emerick was present at these home recordings hence their excellent quality. Taken from vinyl 7-inch. Some vinyl noise. Soon after it got released it was withdrawn because of legal problems.

What you hear is the LP-record master, you experience the full-dynamic range of the music and the hiss ;-. It's the most open and natural-sounding 'Abbey Road', in my opinion, and I heard a few. No Pre-emphasis either. This is fourth issue of the "Barrett" tapes in a 3 disc boxset. Contains a version of Octopus's Garden with vocals isolated not available on any other boot. All fakes of course. Also released as bootleg Ultimate Rare Trax. This is a Collection of alternative mixes from around the world.

While hoping he was upgrading, and he was, Martin was actually creating a monster. A lot of folks, The Beatles included, were against, somebody messing with the original mixes. After all they had been "butchered" years early by the American company Capitol Records, now they were being again, but this time within their own EMI camp! You won't be disappointed! And don't forget, it's stereo! A lot of folks, The Beatles included, were against somebody messing with the original mixes.

Now, many years later, upon listening to these versions really loud you can't beat the artistry of these mixes. It assembles vintage material that shows the madness as it unfolded, as well as some explanatory material from 's rebroadcasts of the original shows - and even new looks at material from the 's.

VG to Ex FM stereo. Tk 7 is replaced with same song but alt take. This series links the Beatles to Dylan via their influences on each other. Tks are Concert for Bangladesh afternoon show Rest are various. Ebbetts Sound Systems. It was these vinyl LPs that radio stations used as a source for their broadcasts.

The collection presented here is sourced from one of these original broadcast vinyl LP sets. This particular series is made possible through his generosity, and trust.

His support is sincerely appreciated. No material has been added and no part of the original program has been removed. The result is a listening experience superior to what was possible during the original broadcast. Happy Piggie is a fan who creates Beatles outfakes. Both A and B rolls picking up different aspects of the room. Vocals are sometimes off-mike.

Ex SBD mono? This is MP3 source. CD1 is the US sessions mix. CD2 is the UK sessions mix. In both cases, they are sourced from previous bootlegs. This was released in All MP3 sourced and possibly outfakes posing as rare mixes. All outfakes. Disc 1 is remixes. Disc 2 mashups. The idea is to offer tracks not found on the commercial bootleg The Beatles' Artifacts. Only a slight difference in sequence separates the two from being identical. Tk 27 is faulty with stutters at the 1.

Mainly a collection of the songs John Lennon covered on his Rock 'n' Roll album. The contents are a mashup of post-Beatles solo tracks mostly Lennon's and McCartney's.

MP3 sourced. Created by beatleberty, shared June CD2 new and older remixes including non-Let It Be tracks. Basically from the Let It Be movie. Made in , this is version 3. Most of the tracks are in lossless format. Some are in high quality MP3s. Made by "elephantsmemory" in August This appears to be their second release, an upgrade of their first. A remake of the Beatles Studio 2 Sessions, And like Remasters Workshop, Helter Skelter promise "best possible sources, pitch, phase and level corrected".

Most of these stories are like the boy who cried wolf. And then we move on from there. We move on to other formats now, other suggestions and discussions.



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